Romeo and Juliet

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This is your resource page for Romeo and Juliet. Posted below you'll find the important speeches you need to know, terms that are important, and links to helpful resources.

 

New and exciting:
  • Hear Kyle's melodramatic Romeo:

 

What we've done so far:
Resources for this unit:

 

What you'll need to know:

Literary Terms

You'll need to be familiar with the following literary terms. You should be able to define each and give one example of how it is used in the play.

foil           soliloquy           monologue           aside           situational irony

dramatic irony           verbal irony           oxymoron           contradiction
 

Themes

We've discussed the following themes through our exploration of the play. Please be familiar with them so you can discuss how they are used.

passion vs. patience           physical vs. spiritual love           contradictions
 

Characters

You'll need to be familiar with the following characters. On the test, I'll ask you to explain the personality or values of the following characters. I'll also ask you to explain at least two events in which each character plays a major role.

Benvolio           Mercutio           Tybalt           Friar           Capulet

County Paris           Romeo           Juliet           Nurse           Prince

 

Plot

You should be familiar enough with the plot that you can look at a list of events and number them chronologically.
 

Important lines

Here is exactly what the test question will say:

For the following passages, identify the speaker, the context (when – what was going on), and the significance of the passage. Do not forget to explain what the passage is saying to demonstrate your understanding of Shakespeare's language.

 

 

Juliet's final moments:

 

Romeo: Act II, Scene 2, lines 2-25

But soft! What light through yonder window breaks?
It is the East, and Juliet is the sun!
Arise, fair sun, and kill the envious moon,
Who is already sick and pale with grief                        5
That thou her maid art far more fair than she.
Be not her maid, since she is envious.
Her vestal livery1 is but sick and green,
And none but fools do wear it. Cast it off.
 It is my lady! O, it is my love!                                         10
O, that she knew she were!
She speaks, yet she says nothing. What of that?
Her eye discourses; I will answer it.
I am too bold; ’tis not to me she speaks.
Two of the fairest stars in all the heaven,                       15
Having some business, do entreat her eyes
To twinkle in their spheres2 till they return.
What if her eyes were there, they in her head?
The brightness of her cheek would shame those stars
 As daylight doth a lamp; her eyes in heaven              20
Would through the airy region stream so bright
That birds would sing and think it were not night.
See how she leans her cheek upon that hand,
O, that I were a glove upon that hand,
That I might touch that cheek!

1. livery clothing or costume worn by a servant.
entreat  v. to ask earnestly; beg
2. spheres orbits.

 

Juliet: Act II, Scene 2, lines 38-48

O Romeo, Romeo! Wherefore art thou Romeo?
Deny thy father and refuse thy name;
Or, if thou wilt not, be but sworn my love,                35
And I’ll no longer be a Capulet. . . .

’Tis but thy name that is my enemy.
Thou art thyself, though not4 a Montague.
What’s Montague? It is nor hand, nor foot,                  40 
Nor arm, nor face, nor any other part
Belonging to a man. O, be some other name!
What’s in a name? That which we call a rose
By any other name would smell as sweet.
So Romeo would, were he not Romeo called,            45 
Retain that dear perfection which he owes5
Without that title. Romeo, doff6 thy name;
And for thy name, which is no part of thee,
Take all myself.

4. though not even if you were not.
5. owes owns; possesses.
6. doff remove.

 

Mercutio: Act III, Scene 1, ll. 91-102

   No, 'tis not so deep as a well, nor so wide as a church-door; but 'tis enough, 'twill serve: ask for me to-morrow, and you shall find me a grave man. I am peppered, I warrant, for this world. A plague o' both your houses! 'Zounds, a dog, a rat, a mouse, a cat, to scratch a man to death! a braggart, a rogue, a villain, that fights by the book of arithmetic! Why the devil came you between us? I was hurt under your arm. . . .

   Help me into some house, Benvolio, Or I shall faint. A plague o' both your houses! They have made worms' meat of me: I have it, And soundly too: your houses!

Romeo: Act III, Scene 1, ll. 116-123

 

   Alive, in triumph! and Mercutio slain!
Away to heaven, respective lenity,
And fire-eyed fury be my conduct now!

   Now, Tybalt, take the villain back again,
That late thou gavest me; for Mercutio's soul
Is but a little way above our heads,
Staying for thine to keep him company:
Either thou, or I, or both, must go with him.

                                                                       


Capulet: Act III, Scene v, ll. 161-169

   Hang thee, young baggage! disobedient wretch!
I tell thee what: get thee to church o' Thursday,
Or never after look me in the face:
Speak not, reply not, do not answer me;
My fingers itch. Wife, we scarce thought us blest
That God had lent us but this only child;
But now I see this one is one too much,
And that we have a curse in having her:
Out on her, hilding!
 

Nurse: Act III, Scene v, ll. 215-227

   Faith, here it is.
Romeo is banish'd; and all the world to nothing,
That he dares ne'er come back to challenge you;
Or, if he do, it needs must be by stealth.
Then, since the case so stands as now it doth,
I think it best you married with the county.
O, he's a lovely gentleman!
Romeo's a dishclout to him: an eagle, madam,
Hath not so green, so quick, so fair an eye
As Paris hath. Beshrew my very heart,
I think you are happy in this second match,
For it excels your first: or if it did not,
Your first is dead; or 'twere as good he were,
As living here and you no use of him.
 

 

Romeo: Act V, Scene iii, ll. 88-120

    How oft when men are at the point of death
Have they been merry! which their keepers call
A lightning before death: O, how may I
Call this a lightning? O my love! my wife!
Death, that hath suck'd the honey of thy breath,
Hath had no power yet upon thy beauty:
Thou art not conquer'd; beauty's ensign yet
Is crimson in thy lips and in thy cheeks,
And death's pale flag is not advanced there.
Tybalt, liest thou there in thy bloody sheet?
O, what more favour can I do to thee,
Than with that hand that cut thy youth in twain
To sunder his that was thine enemy?
Forgive me, cousin! Ah, dear Juliet,
Why art thou yet so fair? shall I believe
That unsubstantial death is amorous,
And that the lean abhorred monster keeps
Thee here in dark to be his paramour?
For fear of that, I still will stay with thee;
And never from this palace of dim night
Depart again: here, here will I remain
With worms that are thy chamber-maids; O, here
Will I set up my everlasting rest,
And shake the yoke of inauspicious stars
From this world-wearied flesh. Eyes, look your last!
Arms, take your last embrace! and, lips, O you
The doors of breath, seal with a righteous kiss
A dateless bargain to engrossing death!
Come, bitter conduct, come, unsavoury guide!
Thou desperate pilot, now at once run on
The dashing rocks thy sea-sick weary bark!
Here's to my love!